叛逆边缘

Rachel Row: Why do you want to die?

Jonathan: I don't want to die, I just don't want to be alive.

Jonathan: See, Dr Figure was a no-medication type of guy and all the hard core suicidals in his group - now including myself - had agreed not to kill or harm themselves before January 1st. I mean, can you imagine someone dead, hanging from the light fixture in their room, thinking, If my doctor finds out about this, I'm FUCKED."

Dr. Figure: What would you do if you were allowed home for the afternoon?

Jonathan: [inhales] Get a decent cup of coffee then I'd chop me head off with a chainsaw.

Dr. Figure: Okay. Uh - uh, just one thing. I wanted to propose something. It's like a pledge between doctor and patient. We nominate a day, like three weeks from now - like New Year's Day - and you mustn't harm yourself until that day. You have to stick to it. What do you think about that?

Jonathan: Yeah, I think it's a fuckin' ridiculous idea.

Dr. Figure: It's been known to work.

Jonathan: It won't work.

Dr. Figure: Might. Why don't you think about it?

Jonathan: Okay, hang on.

[sarcastically]

Jonathan: Um, I've thought about it. Fuck, you made a medical breakthrough. Well done, Doc.

Dr. Figure: Okay, well, we'll talk about it more after the session.

Jonathan: Well, you've given me the will to live and I want to thank you for that.

Dr. Figure: Then, after that, I will show you the benefits of being more sparing with your sarcasm. Okay? See ya.

Jonathan: Fuck you.

[leaves]

Jonathan: I know more about the business of suicide in my baby finger, than you do in all your years of training and Freud reading. I gurran-fuckin'-tee ya that.

[after Toby has killed himself]

Jonathan: You can never really know what was going through a person's mind at that exact moment. If they survive, they'll never tell you. If they succeed, all you can do is spend the rest of your life feeling guilty. You're only concern can be for the people they leave behind. They're the ones to look out for.

Rachel Row: It's beautiful here.

Jonathan: Can't take all this on your own.

Rachel Row: So you are all good now? Too many near death experiences you are beginning to think twice.

Jonathan: You wanna know the truth? If it's a matter of life and death between people like you and me, then I want to outlive you. And I want to see what happens to you. 'Cause I like ya.

Rachel Row: I don't know.

Jonathan: What if we are still together in a year?

Rachel Row: Would we be?

Jonathan: I can see it happening.

Rachel Row: I don't know. So do you think you love me?

Jonathan: I know I love you.

加州小镇的中下层社区，年轻人生活空虚，缺乏正当娱乐，于是转向摇滚乐、迷幻药和性发泄寻求满足。 当地警察意图扫荡孩子们的毒品交易，卡尔深受困惑，于是跑去找小无赖里奇帮忙，因为他有枪。 不料事情发展越弄越糟糕，暴力事件一发不可收拾

这一部关于抑郁、自杀，以及爱与救赎的电影。 整部电影呈现出了一种灰暗的色调。苦闷，压抑，阴冷，绝望。 然而，从男主偷了一辆自行车一路狂奔，男医生打电话请门卫放行任由他奔向悬崖时（那一刻我猜想他一定是要奔向悬崖），眼泪就开始止不住了。 一种感动缓缓涌来，直至汹涌澎湃。这种观影的快感一直持续到影片的结束，让人久久无法自拔。 电影的艺术魅力在这里展露无疑。 推荐您看这部电影《叛逆边缘》，相信你看过之后，不会失望的。

自杀俱乐部，爱尔兰口音真难听懂啊。 On the Edge,可能不是叛逆边缘，是自杀边缘吧。这些少男少女见证过死亡后，脑内有一个开关忽然间就被打开了，生命很脆弱，脆弱到你会被诱惑着去尝试损毁它。电影里重复出现的悬崖，就是那个边缘，你并不恐惧高度，而是恐惧你会控制不住自己纵身而跃的冲动。 男主其实没病，Toby也说过，you're not close，他只是既不想死，又不想活。而Toby不同，他是真的病了，他选择了用最浪漫的方式退场，在新年夜开车冲下悬崖，于火中化为灰烬。我很难相信男主真的理解女主的想法，毕竟一个是正常人而另一个精神上真的有问题，二人在灵魂上所有过的契合不可否认，但是这究竟是不是爱情还有待商榷，而在现实中是否真的能这样就把女主从自杀边缘劝回来也值得怀疑。 这个时候的John Carney和后来拍《Begin Again》的风格还是不太一样，《On the Edge》还是显得生涩，但是他爱尔兰式的风格已经有所体现了。

1.很喜欢电影的简介，跟一姑娘怎么怎么，吧啦吧里，很随意，很舒服，这分明是一部让你珍惜生活的电影。我也觉得这是电影的正确打开方式，为什么国内拍不出这样的电影，翻拍也行，但回头看看现在的演员，好演员基本都中年，新演员...

2.一个不是患者的患者进入了精神病院和一群精神病人做了朋友，墨菲的角色很随性随和不羁，演员太好了，眼神很有神，心里埋了很多感情假装什么都不在乎。男二临死前跟他说“别让别人影响到你，你他妈的就是一个cool man"。女性角色很适合郭采洁啊，脆弱内敛的人，这电影的角色真的太真实了。

3.这种电影画风爱尔兰的感觉，很舒服，就是有一种电影的质感，建议出一个爱尔兰滤镜。

4.在男女主第一次嘴巴出血以后的亲密接触，拍的太迷人了，节奏，距离感，心动。

5.男二在车上说自己故事的时候出奇的安静，这种处理太棒了，越是煽情越让人讨厌，静静地叙述是最棒的表达方式，另外演技很棒。而在男主和保龄球神经病对峙响起轻轻的忧伤的音乐，不揣测为什么响，但太棒了。

6.电影把人物之间的感情都处理的很隐晦，轻描淡写，这在一定程度上更打动人。

7.结尾，那个老太太说“我在这里很久了”，什么意思没明白，男主去悬崖边救了女主，回过头在冷饮店买了两个雪糕相拥哭泣，所有的隐埋的痛苦的情绪在这一刻倾泻。

8.《last flowers》这首歌莫名觉得和这电影很配。

9.三个角色在都有个人的长镜头叙说自己，女主说自己的那段很动人，最后的晚安都..

10.很强的情绪都被导演捆住在细水长流的放出来，迷人。