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简是一名二十一岁的妙龄少女，心中怀揣着成为演员的梦想，她来到了位于加州的圣费尔南多谷。可是，成为演员哪里是这么简单的事？没过多久，简便和大多数来此打拼的女孩一样，默默无名并且身无分文。在简的生活圈里来往的，大多数是不靠谱的朋友们，而其中最值得信赖的，竟然是她那只名叫斯嘉丽的吉娃娃狗。在老太太桑迪家举办的跳蚤市场上，简偶然发现了一个塞着一大捆钞票的老古董，这巨额的财产让囊中羞涩的简无法不在意，她打起了这笔巨款的主意，为此她开始特意的接近桑迪。没想到，简的这一举动彻底的改变了她的生活。市长夫人的秘密奥特Q又见莱拉专撬墙脚最终幻想女孩条子家族的崩溃哈迪兄弟 第二季海扁王2恶梦再临神圣游戏第一季归途路迢迢火爆教头冒牌上帝特种兵王3之战天娇嘻哈帝国第二季有滋有味内蒙古井上雄彦 最后的漫画展现代爱情坐在我身后的女孩树篱女巫寻找莹颖深海异兽苏小三雪域雄鹰蝙蝠女侠第二季秦时明月彩虹大盗蜘蛛侠：英雄无归加长版妇科新丁和平使者 第一季欢迎来到丛林夏威夷特勤组第八季惠特妮第一季快乐时光魔鬼转生终结者致命点击尘封旧案 第二季按响邮差的铃心思思关于爱我所知道的一切第一季偶像活动Planet 剧场版
简是一名二十一岁的妙龄少女，心中怀揣着成为演员的梦想，她来到了位于加州的圣费尔南多谷。可是，成为演员哪里是这么简单的事？没过多久，简便和大多数来此打拼的女孩一样，默默无名并且身无分文。在简的生活圈里来往的，大多数是不靠谱的朋友们，而其中最值得信赖的，竟然是她那只名叫斯嘉丽的吉娃娃狗。在老太太桑迪家举办的跳蚤市场上，简偶然发现了一个塞着一大捆钞票的老古董，这巨额的财产让囊中羞涩的简无法不在意，她打起了这笔巨款的主意，为此她开始特意的接近桑迪。没想到，简的这一举动彻底的改变了她的生活。市长夫人的秘密奥特Q又见莱拉专撬墙脚最终幻想女孩条子家族的崩溃哈迪兄弟 第二季海扁王2恶梦再临神圣游戏第一季归途路迢迢火爆教头冒牌上帝特种兵王3之战天娇嘻哈帝国第二季有滋有味内蒙古井上雄彦 最后的漫画展现代爱情坐在我身后的女孩树篱女巫寻找莹颖深海异兽苏小三雪域雄鹰蝙蝠女侠第二季秦时明月彩虹大盗蜘蛛侠：英雄无归加长版妇科新丁和平使者 第一季欢迎来到丛林夏威夷特勤组第八季惠特妮第一季快乐时光魔鬼转生终结者致命点击尘封旧案 第二季按响邮差的铃心思思关于爱我所知道的一切第一季偶像活动Planet 剧场版
长篇影评
1 ) 一个女优一个寡妇
一个女优一个寡妇 我缺少母爱，我母爱泛滥，这部片子在描写两个孤独的种群，他们寂寞，想要爱，女优的生活不像我所想象的，应该是比较真实的情形，我非常赞同导演每次为电影选主角背景的时候都会关心一下我们正常人从未接触过的边缘神秘人士，中间有一段拍摄黄色电影的片段，我觉得如果我的电影能借鉴一下这种透过真实屏幕所呈现的画面时是非常精彩的，寡妇的日子不好过，中间有一段她找狗的片段，我觉得那一段可以非常准确的突出寡妇当时的心境，对女优也好，对她所认同的世界也好，那是一颗敏感脆弱的心，和圣殇里假扮的母亲不一样，她们虽然都是怀有一颗急于坦诚却时时刻刻去隐藏真相的心，整部片子说实话作为短片的话会非常不错，但是90分钟还是有些漫长，本片最好的镜头除了寡妇在街上找狗，两个人坐在广场（旁边有好多高大的电线杆），在那个废弃的公园，那是记忆的深处，忘记在脑海 我来付钱吧，我的钱花不完，记得给你说过我JACK是一个赌徒吗，他赌的不赖。我愿世界和平
2 ) 拍小电影的，一样有美丽的心灵
我的评分：7.2
影评：
女孩小美，从事着拍小电影的工作。一天买到一个旧暖瓶，没想到里边有1万美金，对于她来说是很大的财富，但是她的心有不安，想着钱的主人，如果很有钱就算了，如果很穷的话，这个钱对他来说太珍贵了。
她找到了卖旧暖瓶的那个老太太，然后陪着老太太玩儿，想探究老太太的生活，最终融入老太太的生活。老太太从开始的抗拒到后来的接受。影片最后，老太太带小美来到他丈夫的墓前，小美看到墓碑旁边有个18岁女儿的墓，在那之前她们聊天中从来不知道老太太还有个女儿，她好像明白了什么可能。
这是一个开放性的结局，没有说明，小美是否把钱给老太太，但相信小美与老太太之间会有一段美好的友情。
3 ) 被大尺度耽误的小温情
我下载的是删减版，却意外得觉得更加美好。明黄色的暖调，忘年之交的友谊。
🏷️一次yard sale，由一只被二手交易的暖壶牵线，本不相识的两人，交汇在一起，彼此治愈，打开心扉，没有过多的语言，都体现在细节里。
🏷️【一个人的工作并不影响她善良可爱。】Jane是个18🈲️女郎，母亲是个yin君子，偶尔自己也ke pills，车载音乐粗俗直接，过着囊中羞涩的日子，但并不影响她善良，温柔，从救助站领养了吉娃娃，对它超体贴;虽然发现暖壶中的钱后挥霍了一次，但还是忍不住良心的谴责，试图退还;接近Sadie，从最初的试探，到后期的真诚相交，或许她找到了亲情的温暖。
🏷️【一个人失去了所有的至亲，连活下去的理由都懒得再找。】Sadie一直独居，唯一的娱乐是去玩宾果，却只中过一次奖。注销了驾照，任由生命老去;脾气古怪，阴晴不定;起初觉得Jane想要图谋她什么，并报jing 抓她;后来发现自己做错了，又打电话挽回。因为被托付照顾小狗，但发现小狗不见了，找着找着就崩溃了，痛哭以后，拒绝再与Jane来往;看到最后才发现，她一直害怕失去，害怕拥有温情后又突然消失殆尽，所以一直拒绝与人来往。而片末，尽管Jane任性的好友将真相一股脑说出，她也选择继续与Jane去巴黎，并让Jane代替自己去墓地送花，把自己的一切交付与她，Sadie获得了再生的希望。
🏷️我想她们在巴黎一定会玩得很开心吧～不必言说的互相懂得是最棒的吧。
ps 女主是海明威的曾外孙女，看电影时真是满屏大长腿。
另外，我觉得很多所谓的大chi度电影🎬其实内容都很好，只是因为被打上标签，结果看得人太少。
4 ) 转载女主角Dree Hemingway关于电影的访谈
很喜欢这部片子和Dree 转载访谈，帮助理解片子台前幕后，没看错av场面果然是替身然后剪得真不错。好有趣的制作过程耶，原来去参加色情业展会是真的，使用隐藏拍摄，很多人以为女主就是pornstar然后各种~~ 哈哈，不过no judgement也是棒棒哒。dree也聊到很多关于自己家族的事情，喜欢她的低调单纯，而且做出了一部好片子，这是我看她的第一部，很偶然找到的。翻译就不做了，我觉得最直接的理解是看原文，给几个关键词，有兴趣的自己理解。
body double 替身；improvisational 即兴的；scatterbrained
注意力不集中
The young actress talks to THR about her burgeoning acting career as well as how she copes with bearing the last name of one of the world's most famed writers.
正文
As much as she'd probably like to avoid it, the first line in Dree Hemingway's biography probably would note that she is the great-granddaughter of famed writer Ernest Hemingway and the daughter of actress Mariel Hemingway. But with a few more movies like Starlet, her first leading feature role, that just might change.
Hemingway, 25, plays Jane, a flighty, listless woman in her early 20s living in Los Angeles with her friend and the friend's boyfriend. She flits about through her days, smoking weed and shopping and taking her Chihuahua wherever she goes. She might seem like a low-rent Paris Hilton, but she has more depth than it appears at first glance.
Film Review: Starlet
When she buys a thermos for a dollar at a yard sale from an old woman, she finds $10,000 rolled up inside. After trying to return the thermos to the cantankerous octogenarian, who refuses, she decides to at least befriend the lonely widow, Sadie. This is easier said than done, though the two eventually form an odd relationship. It is one built partially on lies; Jane doesn't tell Sadie about the money, or the fact that she works as a porn actress -- something kept from the audience through much of the movie, as well.
THR recently spoke to Hemingway about the film and her famous bloodlines.
The Hollywood Reporter: What happened in your interview with director Sean Baker?
Dree Hemingway: I’m so passionate about this character, but a lot of it was how I perceived her and who I thought she was and to clarify if I’d do the porn scene. And really wanting to assure me that they’d use a body double and just wanting to make sure I’d be comfortable with the whole situation. And everything he was saying about the character was something I had thought of, and there were things that I wanted to bring, and it was really nice. And what really hooked it was the communication between us.
THR: So you weren’t uncomfortable with the porn thing?
Hemingway: I mean, it freaked me out, I’m not going to lie. I think I was so passionate about the whole story that it’s kind of something that it needed. It freaked me out, but also knowing that it wasn’t me was kind of OK for me -- although I’m not in denial that people are going to think it’s me because a lot of people don’t watch the end credits, and it’s really well cut. But as much as it scares me, and is such a scary thing to do, it’s such a neat film that I think that one ending scene is kind of the most perfect ending for any movie, and I just love it. … I’m not a huge fan of porn, but I really wanted to embrace the world from a different perspective, where it’s not a tragedy, it’s not coming from a tragic place.
VIDEO: Starlet Trailer
THR: How much of the film was improv?
Hemingway: Most of it was improvisational, to be honest. It was like, we were given some lines, and you always had to know where you were going to end up in the scene, but a lot of it was improvisational. A lot of it was scary in a way that you can’t really craft. But it’s actually one of the most fun things I’ve ever done. You really have to be present in the situation that you’re in because a lot of time you were working with real people, who didn’t know until they were done working with us that they were on film and working with actors.
THR: Which points were that?
Hemingway: The whole entire porn convention. We had a hidden camera. I had a hidden mic. People thought I was a real porn star at a real booth. All those people talking to me.
THR: So they were just big porn enthusiasts.
Hemingway: They all kept coming up to me and saying: “I really love your movies. I want to work with you.” And I was like, 'Let’s go!' It’s so weird and crazy. And all those people playing bingo, we just stood in the bingo hall.
THR: Was anyone upset about being caught on camera?
Hemingway: A lot of people at the porn convention were really upset that they were on camera. Some of them were like parents, and some of these guys were like, “I’m a schoolteacher.” And you’re like, OK. … But the thing is, there is no judgment on them because they are just the ones that have the balls to get their asses off the computer and go to an actual porn convention. Which I have to say is kind of hilarious and really fun.
THR: Really?
Hemingway: Yeah. It’s an adult amusement park.
THR: It’s like a Comic-Con but for porn.
Hemingway: Exactly! It’s just like Comic-Con. You get some whacked, crazy people, but it’s so much fun. I think if you come to it from a point of not taking it seriously -- a lot of these people go, and they’re there to see one porn star whom they’re obsessed with -- but if that’s not your basis, it is a fun time. It’s hilarious.
THR: What would you do if you found that money, in that situation?
Hemingway: Oh, I’m such a guilty person, I’d totally give it back.
THR: No hesitation?
Hemingway: I mean obviously, I think that part of me would want to keep it in a way because it’d be like, oh I found it, and it’s -- what is that saying? Finder's keepers? But no, even if I’d try to do that, I’m too guilty. I remember when I was 14, I stole a little bracelet from a vendor, like an outside cart vendor, it was me being rebellious, and I had a lot of friends who loved to steal ChapSticks and little things, and so it was me trying to include myself in the situation. So I stole this bracelet. And I had it for a full day, but I couldn’t wear it because I felt so guilty. So when I wasn’t with my friends, I went and brought it back.
THR: So you are Ernest Hemingway’s great-granddaughter? Did you ever feel pressure to be a writer?
Hemingway: I would never write, ever. I might as well exile myself.
THR: Why?
Hemingway: Because it’s like, if I were related to Monet, I don’t know if I would be comfortable becoming an artist because it’s too much, the comparison. If I wrote a book and put it out, the comparison to my great-grandfather, the comparison would be hilarious. Every critic, it would be their dream, they’d tear me apart. I’m just not a confident writer, either. I feel like I can’t make sense of things in a way. I’m so scatterbrained when I write.
THR: Do people ask you to?
Hemingway: People ask me all the time. And my mother is an actress, and my aunt Margaux was a model. And it’s funny, as much as I’m all about I’m my own person, and I’m making my own name for myself, I have grown up in a world where most of these people who are like me are children of famous parents. So it’s easy to become the socialite and be famous for that. But my whole thing was, as much as I was inspired by what my parents do, and growing up on film sets, watching that made me really want to do that. I am my own person, and I think that the only thing with the Hemingway name is that it has gotten me in the door. But once you’re in there, I know I’m under a huge microscope, and everything you do, people are going through it with a fine-toothed comb and picking at you.
So it’s great, it gets you in there, but once you do, you’ve got to f---ing prove yourself. The modeling, I think it’s different because they don’t give a f---, it’s harder to get in there with a name already, and I think I had to prove myself, and it didn’t matter who I was. But I don’t feel like I’m competing against anything in my family; I’m so honored to be a part of it, but I also know I am my own self, and I’m not riding anyone’s coattails because I know I really worked for something.
body double 替身；improvisational 即兴的；scatterbrained
注意力不集中
The young actress talks to THR about her burgeoning acting career as well as how she copes with bearing the last name of one of the world's most famed writers.
正文
As much as she'd probably like to avoid it, the first line in Dree Hemingway's biography probably would note that she is the great-granddaughter of famed writer Ernest Hemingway and the daughter of actress Mariel Hemingway. But with a few more movies like Starlet, her first leading feature role, that just might change.
Hemingway, 25, plays Jane, a flighty, listless woman in her early 20s living in Los Angeles with her friend and the friend's boyfriend. She flits about through her days, smoking weed and shopping and taking her Chihuahua wherever she goes. She might seem like a low-rent Paris Hilton, but she has more depth than it appears at first glance.
Film Review: Starlet
When she buys a thermos for a dollar at a yard sale from an old woman, she finds $10,000 rolled up inside. After trying to return the thermos to the cantankerous octogenarian, who refuses, she decides to at least befriend the lonely widow, Sadie. This is easier said than done, though the two eventually form an odd relationship. It is one built partially on lies; Jane doesn't tell Sadie about the money, or the fact that she works as a porn actress -- something kept from the audience through much of the movie, as well.
THR recently spoke to Hemingway about the film and her famous bloodlines.
The Hollywood Reporter: What happened in your interview with director Sean Baker?
Dree Hemingway: I’m so passionate about this character, but a lot of it was how I perceived her and who I thought she was and to clarify if I’d do the porn scene. And really wanting to assure me that they’d use a body double and just wanting to make sure I’d be comfortable with the whole situation. And everything he was saying about the character was something I had thought of, and there were things that I wanted to bring, and it was really nice. And what really hooked it was the communication between us.
THR: So you weren’t uncomfortable with the porn thing?
Hemingway: I mean, it freaked me out, I’m not going to lie. I think I was so passionate about the whole story that it’s kind of something that it needed. It freaked me out, but also knowing that it wasn’t me was kind of OK for me -- although I’m not in denial that people are going to think it’s me because a lot of people don’t watch the end credits, and it’s really well cut. But as much as it scares me, and is such a scary thing to do, it’s such a neat film that I think that one ending scene is kind of the most perfect ending for any movie, and I just love it. … I’m not a huge fan of porn, but I really wanted to embrace the world from a different perspective, where it’s not a tragedy, it’s not coming from a tragic place.
VIDEO: Starlet Trailer
THR: How much of the film was improv?
Hemingway: Most of it was improvisational, to be honest. It was like, we were given some lines, and you always had to know where you were going to end up in the scene, but a lot of it was improvisational. A lot of it was scary in a way that you can’t really craft. But it’s actually one of the most fun things I’ve ever done. You really have to be present in the situation that you’re in because a lot of time you were working with real people, who didn’t know until they were done working with us that they were on film and working with actors.
THR: Which points were that?
Hemingway: The whole entire porn convention. We had a hidden camera. I had a hidden mic. People thought I was a real porn star at a real booth. All those people talking to me.
THR: So they were just big porn enthusiasts.
Hemingway: They all kept coming up to me and saying: “I really love your movies. I want to work with you.” And I was like, 'Let’s go!' It’s so weird and crazy. And all those people playing bingo, we just stood in the bingo hall.
THR: Was anyone upset about being caught on camera?
Hemingway: A lot of people at the porn convention were really upset that they were on camera. Some of them were like parents, and some of these guys were like, “I’m a schoolteacher.” And you’re like, OK. … But the thing is, there is no judgment on them because they are just the ones that have the balls to get their asses off the computer and go to an actual porn convention. Which I have to say is kind of hilarious and really fun.
THR: Really?
Hemingway: Yeah. It’s an adult amusement park.
THR: It’s like a Comic-Con but for porn.
Hemingway: Exactly! It’s just like Comic-Con. You get some whacked, crazy people, but it’s so much fun. I think if you come to it from a point of not taking it seriously -- a lot of these people go, and they’re there to see one porn star whom they’re obsessed with -- but if that’s not your basis, it is a fun time. It’s hilarious.
THR: What would you do if you found that money, in that situation?
Hemingway: Oh, I’m such a guilty person, I’d totally give it back.
THR: No hesitation?
Hemingway: I mean obviously, I think that part of me would want to keep it in a way because it’d be like, oh I found it, and it’s -- what is that saying? Finder's keepers? But no, even if I’d try to do that, I’m too guilty. I remember when I was 14, I stole a little bracelet from a vendor, like an outside cart vendor, it was me being rebellious, and I had a lot of friends who loved to steal ChapSticks and little things, and so it was me trying to include myself in the situation. So I stole this bracelet. And I had it for a full day, but I couldn’t wear it because I felt so guilty. So when I wasn’t with my friends, I went and brought it back.
THR: So you are Ernest Hemingway’s great-granddaughter? Did you ever feel pressure to be a writer?
Hemingway: I would never write, ever. I might as well exile myself.
THR: Why?
Hemingway: Because it’s like, if I were related to Monet, I don’t know if I would be comfortable becoming an artist because it’s too much, the comparison. If I wrote a book and put it out, the comparison to my great-grandfather, the comparison would be hilarious. Every critic, it would be their dream, they’d tear me apart. I’m just not a confident writer, either. I feel like I can’t make sense of things in a way. I’m so scatterbrained when I write.
THR: Do people ask you to?
Hemingway: People ask me all the time. And my mother is an actress, and my aunt Margaux was a model. And it’s funny, as much as I’m all about I’m my own person, and I’m making my own name for myself, I have grown up in a world where most of these people who are like me are children of famous parents. So it’s easy to become the socialite and be famous for that. But my whole thing was, as much as I was inspired by what my parents do, and growing up on film sets, watching that made me really want to do that. I am my own person, and I think that the only thing with the Hemingway name is that it has gotten me in the door. But once you’re in there, I know I’m under a huge microscope, and everything you do, people are going through it with a fine-toothed comb and picking at you.
So it’s great, it gets you in there, but once you do, you’ve got to f---ing prove yourself. The modeling, I think it’s different because they don’t give a f---, it’s harder to get in there with a name already, and I think I had to prove myself, and it didn’t matter who I was. But I don’t feel like I’m competing against anything in my family; I’m so honored to be a part of it, but I also know I am my own self, and I’m not riding anyone’s coattails because I know I really worked for something.
5 ) 很久没看温情电影了必须说点什么
看这部电影的原因只是因为当时它在人人影视的首页，而且个人喜欢西方电影以人名（这部剧里面是女主狗狗的名字）或者普通名词来命名影片，虽然翻译成中文经常变成四字短语什么的，还以偏正短语居多== 往往更形象但是始终失去了原本简单到包含一切的感觉【当然只是个人看法，而且貌似扯得有点远。。
下面回到影片本身，之所以温情是因为描述的是独居老人Sadie和年轻女孩Jane的友情，虽然这段友谊刚开始的动机不纯：Jane买下了老人的旧水瓶，却惊讶地发现里面藏着的一万块钱，但她确实试着想还回去，而且试图在生活中做到补偿老人。刚开始，老人对她非常抵触，当然这也是人之常情，年纪轻轻的女孩整天跟在独居老太的背后还想办法搭讪这不是骗子是什么。个人认为两人真正的友情展现始于那次超市之行，Jane没能及时出现在约定地点，Sadie自己默默地往回走。后来找到Sadie的Jane在车上默默牵起了老人的手，想必那时候观众也都明白正如她所说的，Jane无论如何是不会丢下老人的，阳光洒下，这是我觉得影片里最温情的一瞬。
本以为两人的友谊就这么平淡地发展下去，但是朋友间照看宠物的行为却让Sadie产生了对失去的恐惧，可以说是再一次产生这种深深地恐惧。小狗意外的丢失，老人几近崩溃的寻找，这段看的我直流泪TTATT 联系到影片结尾，失去十八岁的女儿，又失去了丈夫，只剩自己孤身一人。如今这段友情她要不起，也承受不了Jane的托付，只是因为怕失去，而这，是她再也承受不了的。
影片的结尾我很喜欢，虽然愤怒的Melisa告知了老人所谓“真相”，而且在老人重新整理旅行箱的时候我确实有了“天哪！不会不去巴黎了吧！”的担忧，但是老人还是最终彻底敞开心扉，让Jane自己看了老人丈夫及女儿的墓碑【这段镜头先是让观众与Jane同样陷入迷惑。结尾导演并没有给出关于两个人的答案，但是当我看到这里时，心里留下的只有乐观。毕竟，友谊是同时滋润两个人的，一起经历的种种，真真假假，大概也只有当事人才能体会。
回头一想，无论是对于高龄独身的老人，还是拮据的年轻女孩，一万块真的不如一段真正的友谊来的珍贵。
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~·~
个人很喜欢影片中的人物塑造，真实，丰满。Jane确实是个女优，而且影片也完完全全不带掩饰地展示出来了，这是她的工作，也是整个人物的一部分。但这丝毫没有影响她内心的善良，她真实、立体、不容忽视。即使是有些自私、不可理喻的Melisa也有她脆弱，让人产生共鸣的一面。当她发现Jane藏起来的钱之后，我本以为“完了！她肯定要把这些统统花光了！”但是实际上，她还是把大部分的钱又放了回去，并且在心里默默期待其实Jane是拿她当真正的朋友，Jane内心也是希望把钱能花在她身上的，这种想法，也不免让人生出几分怜惜。。
下面回到影片本身，之所以温情是因为描述的是独居老人Sadie和年轻女孩Jane的友情，虽然这段友谊刚开始的动机不纯：Jane买下了老人的旧水瓶，却惊讶地发现里面藏着的一万块钱，但她确实试着想还回去，而且试图在生活中做到补偿老人。刚开始，老人对她非常抵触，当然这也是人之常情，年纪轻轻的女孩整天跟在独居老太的背后还想办法搭讪这不是骗子是什么。个人认为两人真正的友情展现始于那次超市之行，Jane没能及时出现在约定地点，Sadie自己默默地往回走。后来找到Sadie的Jane在车上默默牵起了老人的手，想必那时候观众也都明白正如她所说的，Jane无论如何是不会丢下老人的，阳光洒下，这是我觉得影片里最温情的一瞬。
本以为两人的友谊就这么平淡地发展下去，但是朋友间照看宠物的行为却让Sadie产生了对失去的恐惧，可以说是再一次产生这种深深地恐惧。小狗意外的丢失，老人几近崩溃的寻找，这段看的我直流泪TTATT 联系到影片结尾，失去十八岁的女儿，又失去了丈夫，只剩自己孤身一人。如今这段友情她要不起，也承受不了Jane的托付，只是因为怕失去，而这，是她再也承受不了的。
影片的结尾我很喜欢，虽然愤怒的Melisa告知了老人所谓“真相”，而且在老人重新整理旅行箱的时候我确实有了“天哪！不会不去巴黎了吧！”的担忧，但是老人还是最终彻底敞开心扉，让Jane自己看了老人丈夫及女儿的墓碑【这段镜头先是让观众与Jane同样陷入迷惑。结尾导演并没有给出关于两个人的答案，但是当我看到这里时，心里留下的只有乐观。毕竟，友谊是同时滋润两个人的，一起经历的种种，真真假假，大概也只有当事人才能体会。
回头一想，无论是对于高龄独身的老人，还是拮据的年轻女孩，一万块真的不如一段真正的友谊来的珍贵。
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~·~
个人很喜欢影片中的人物塑造，真实，丰满。Jane确实是个女优，而且影片也完完全全不带掩饰地展示出来了，这是她的工作，也是整个人物的一部分。但这丝毫没有影响她内心的善良，她真实、立体、不容忽视。即使是有些自私、不可理喻的Melisa也有她脆弱，让人产生共鸣的一面。当她发现Jane藏起来的钱之后，我本以为“完了！她肯定要把这些统统花光了！”但是实际上，她还是把大部分的钱又放了回去，并且在心里默默期待其实Jane是拿她当真正的朋友，Jane内心也是希望把钱能花在她身上的，这种想法，也不免让人生出几分怜惜。。
6 ) AV也遮挡不住的小清新～
俺不懂艺术，没那能力分析得头头是道～只说说本部电影中我的感慨之处。
moment no1:简（女主-海明威）得到了意外之财，想请妈妈来她这里度假，遭到拒绝。这种失落俺懂得T-T只可意会，言传不了～
moment no2:桑迪请简送她回家并邀女孩在花园中饮咖啡，简望着满院的花草问：你喜欢什么花？桑迪答牵牛花（暗喻短寿，因为此花清晨开放中午凋零）当时直觉伤感，直至影片快结束时才明白，原来桑迪有一个女儿死于18岁。
moment no3:简载桑迪去公园墓地，镜头只给了桑迪的背影：放下花束，默默的祷告着什么。看着她的背影我也一阵鼻子发酸...只有失去过至爱之人的人儿们才会懂。
moment no4:关于简单的拍摄现场！着实惊呆了我...AV的拍摄现场野蛮至极...
moment no5:桑迪得知简接近她的真相后还选择和她一起去巴黎。疼惜之感油然而生。
moment no6:简代桑迪去墓园献花，没想到入目的不单单是她丈夫的墓碑还有她早夭的女儿...这个老妇曾经拥有一切，又被残忍剥夺...若是我恐怕不能坚持至今。
ps 德利 海明威的身材真棒！！！（撒花～身为同性的我也喷鼻血）
moment no1:简（女主-海明威）得到了意外之财，想请妈妈来她这里度假，遭到拒绝。这种失落俺懂得T-T只可意会，言传不了～
moment no2:桑迪请简送她回家并邀女孩在花园中饮咖啡，简望着满院的花草问：你喜欢什么花？桑迪答牵牛花（暗喻短寿，因为此花清晨开放中午凋零）当时直觉伤感，直至影片快结束时才明白，原来桑迪有一个女儿死于18岁。
moment no3:简载桑迪去公园墓地，镜头只给了桑迪的背影：放下花束，默默的祷告着什么。看着她的背影我也一阵鼻子发酸...只有失去过至爱之人的人儿们才会懂。
moment no4:关于简单的拍摄现场！着实惊呆了我...AV的拍摄现场野蛮至极...
moment no5:桑迪得知简接近她的真相后还选择和她一起去巴黎。疼惜之感油然而生。
moment no6:简代桑迪去墓园献花，没想到入目的不单单是她丈夫的墓碑还有她早夭的女儿...这个老妇曾经拥有一切，又被残忍剥夺...若是我恐怕不能坚持至今。
ps 德利 海明威的身材真棒！！！（撒花～身为同性的我也喷鼻血）
暖黄色的色调，很明朗，温暖，很符合小清新的感觉。演员们全程演技在线，老奶奶和德丽的情感其实也温暖了他们两个自己吧。很适合一个人午后静静地看。
一万刀能换到的，我想象不到更多了
年度最佳温情+意外结局啊 PS女主竟然是海明威孙女
⒈《橘色》后再接再厉观看《待绽蔷薇》，发现肖恩·贝克作品的配乐再次挺对我的耳口，虽然这部里面反复使用同一段配乐；⒉妈妈咪呀，女主竟然是海明威的亲曾孙女；⒊不用借位而是真操实干的AV戏份，真是让我吃了一惊；⒋亲爱的眼睛，对不起，在你犯困想休息的时候，还让你坚持看完电影，辛苦你了！……
意外的很好看啊 虽然镜头色调太像mv什么的吧 但是故事表演都超级舒服啊 女主是海明威的曾孙女你们都知道了 老太太拍完这片就死了你们也知道了 但是你们知道那个和她拍毛片的就是我昔日偶像Manuel Ferrara大神嘛！以为james deen和lilo拍文艺片就够高端了 manuel哥哥比他更厉害啊 果然法国人就是品味好
暖瓶温水，至清至澈。先看<橘色>，待绽<蔷薇>，一切刚刚之好。肖恩贝克不光有两把刷子，还有两个一样的瓶子。一个盛水，一个装酒。一个复古精致，一个小巧玲珑。一个暖阳春光，一个花枝招展。一个是平平静静的和和气气，一个是吵吵闹闹的和和美美。这才是生活。克制的胜利。
很好的故事. 画面美. 素颜女主美绝了!特别是她无限长美腿啊啊啊!
爱丽·帕克再现，基调暖了很多，可惜女主演技没有Naomi那样出神入化。
视角还挺有想法的
我们带着创伤生活，就像蔷薇的刺。我们可以预防失去，却学不会对爱免疫。
矫情又做作，豆瓣小清新的脑残评分
海明威还有这么漂亮的曾外孙女啊？！
真的是好干净的一部片子，女孩与老人的交心过程，两人心照不宣地知道了一些对方的秘密。海明威孙女的腿好正，Besedka 演得很出色。女优这个设定可能就是为了与 Jane 在日常生活中的单纯善良形成落差，不过 AV 床戏部分真是太大尺度了，简直一览无余。
简在展台后面绽放着微笑、在床上表演着高潮，放纵春光却从不觉得自己被需要。唯有跟老太晒着太阳，听她聊起年轻时的那场动物园求婚，简才真正像个少女一样怀春，愿有人待她如此。从超市接她回家、陪她玩宾果、带她去巴黎，只有与她相伴才真切感受自己被需要。青花暖瓶里藏着一根引信，绽放了她的生活。
肖恩贝克早期作品，初心未变，后期的电影都是源于这里的根源。依旧喜欢肖恩贝克对边缘人的关注和情感处理，他有自己的一套人际关系和情感的处理方式，很吵很流行但也最能触及人心。女主是海明威孙女还蛮惊讶的。
她死了？我怎么没有看出来？
敢拿钱敢拍片敢真操，洗
Starlet 是Sean Baker自家的吉娃娃。老太太也是从小就想做演员，70多年后终于如愿以偿，饰演一个老太太，懵懂或睿智，一切似乎都刚刚好。绝美的结尾。
其实是个对老套路做了细致修正改良之后的结果，中后段钝感明显，整体可看度还是挺高的。边缘人+限制级噱头，似乎是肖恩贝克标配啊。
淡黃的色調也很好看。整個故事線沒有那麼集中，但最後的抒情比他其他的作品都要用力。